An artistic participation project by Katrin Korfmann

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BLAUWE BLOEM

The artist Katrin Korfmann gives special attention to collective rituals that blur individual identity and connect people to a community. Her project Blauwe Bloem (eng. blue flower) is part of her work series Ensembles assembled. The ‘magical moment’ invoked here reveals the presence of a ritual in which people form a larger organism through common activities.

After the artist travelled for ensembles assembled all around the world she created Blauwe Bloem, her second self-created ritual. On this occasion, Korfmann corresponds by the form of a happening which is based on an improvised event with a direct relation to the audience.

Katrin Korfmann formulates works with symbolic character, contextual recognizable by the reference to rites, myths and magic. Blauwe Bloem is derived from a ceremony that the artist has developed in collaboration with the St. Janschool in Amsterdam. Two groups of pupils worked together with the artist on the historical background, the creation of the costumes, the choice of the music and the naming of the project.

Blauwe Bloem, series: ensembles assembled, 2015 ultrachrome print, 100 x 80 cm

Blauwe Bloem, series: ensembles assembled, 2015 ultrachrome print, 100 x 80 cm

The story of the ritual concerned with a teacher called Daisy who leaves her school after seven-year teaching time to work as a florist in a shop. The school becomes gradually deserted and is soon no more visited by anyone. After 20 years Daisy gets homesick and resolves to return to the desolate school, to re-establish it and to become the director. When she enters the school campus she meets the janitor Jan who has protected the school all the time. Daisy hands over a flower to him and asks to plant it in the overgrown garden of the school. In the next morning a lake of flowers grows magically overnight in the before lifeless garden. Later a crowd of pupils appears wanting to be taught at the school surrounded by flowers.

The Day of Daisys return will be celebrated as a special day of the blue flower from 2015 on every year, on the 24th of April.

More information about the artist
www.katrinkorfmann.com

FRAMING SPACE — JERUSALEM

Jerusalem at Santa Lucia

Jeru­salem by Susanne Kessler

FRAMING SPACE — JERUSALEM

Exhibition: 4  – 29 December, 2015
Opening: Thursday, 3rd December, 7 – 9 pm,, Introduction: PhD Hans Hoffmann, Historian
Address: WHITECONCEPTS | August­straße 35 | 10119 Berlin | www.whiteconcepts.de

WHITECONCEPTS gallery is pleased to present the solo show of Susanne Kessler focusing on the city Jerusalem. Her tour started in March 2015 with “The Seven Hills of Jerusalem”, curated by Vincenzo Mazzarella and Paolo Bielli, in the church Santa Lucia del Gonfalone in Rome followed by “The Jerusalem Project” in April 2015 during the Off Course – Art Fair Brussels organized by curator Antonio Nardone. On November 7th her installation “Jerusalem”, curated by Jack Rasmussen, will be opened at the American University Museum at the Katzen Art Center in Washington/DC.

Susanne Kessler became known with her volumetric, organically staged installations. Since the early 1980s she has been searching for new possibilities to make paintings or drawings three-dimensional. Extending her investigation of the metaphysical and organic substrate that infuses and shapes human action, Susanne Kessler’s installation, Jerusalem, brings a prophetic voice to consideration of this sacred and troubled city. Kessler’s fascination with the transformation of human culture has been shaped and cultivated by her experience of living for the past 30 years in the ancient city of Rome that was founded like Jerusalem on seven hills.
Like Rome, Jerusalem is a city of layers that has undergone continual transformation. A geographical gateway between East and West, it is home to the three great religions of Judaism, Islam, and Christianity – the source of both its greatest gifts and its most intractable challenges. What is this city that it can somehow attract, distill and focus such profound insight into the great mysteries, while simultaneously provoking some of the world’s most intense suffering?

Susanne Kessler was born 1955 and is currently living and working in Rome and Berlin. She studied at the University of Fine Arts (UdK) in Berlin and at the Royal College of Art in London (MA). Her work has been shown in more than 60 solo shows. Among her awards are the DAAD-stipend, the Paul-Strecker-Award of the city Mainz and the nomination for the Kaiserring-Grant of the city Goslar. Her manifold travel grants took her throughout Europe, to India, Pakistan, Mali, Ethiopia, Guatemala, and to the USA. In 2001 and 2002 she hold an associate professorship for installation and drawing at the University of California, followed in 2010 by an associate professorship to the Art Academy Riga/Latvia, and in 2011-2013 to the City University New York, USA. Her works are represented in numerous public collections in Europe and America, and in multitudinous private collections.

The book “Framing Space”, recently released by the German publisher Distanz, gives a retrospective overview of the artist’s most important sculptures and installations created in the last thirty years. The book containing contributions by Achille Bonito Oliva, Vincenzo Mazzarella and Johannes Nathan is available in the gallery.

Text by Sarah Bliss

Infor­ma­tion about the artist and avail­able works

53°20’ – 53°40’N, 2017

53°20 – 40'N

53°20’ – 53°40’N, 2017

Five topographic models of mountain-landscapes by Thorsten Gold­berg for the North East Transit Garage in Edmonton, Canada

Six finalists for the North East Transit Garage (NETG) public art call have been selected from amongst more than 140 applications to propose a signature artwork for the NETG.

Thorsten Goldberg´s proposes 53°20’ – 53°40’N, a collection of five topographic models of mountain-landscapes from different parts of the world, which are on the same latitude as the city of Edmonton: Mount Chown in Alberta, the crater with Mount Okmok, a Volcano on Umnak Island, the Aleutian Islands in Alaska, the Zhupanovsky Crater on the Kamchatka Peninsula, an unnamed landscape in Heilongjiang Sheng in China and Mweelrea, the highest point in the province of Connacht in County Mayo on the west coast of Ireland.

They will be cast in aluminum in the scale of 1:1.000 and mounted upright on the facing sides of the lanterns on the roof of the NETG building.

They appear as gigantic core samples, which are stored on top of the building, emphasizing the functional character of the magazine building. At the same time the collection of landscapes tells of a journey along the 53th parallel around the world, creating a fictitious line to the largely unknown places whose longitudinal coordinates are written on the sides of the lanterns.

The clients are the City of Edmonton and the Arts Council Edmonton. The topographic models, each 610 x 570cm were conceived in 2015 and will be realize in 2017.

More information about the artist
More projects by Thorsten Goldberg
www.goldberg-berlin.de

Return of the Cumulus 08.07, 2016

cumulus0807_lippstadt01

Return of the Cumulus 08.07, 2016

A LED light object by Thorsten Gold­berg for the Lichtpromenade in Lippstadt/Germany

Thorsten Goldberg’s Cumulus 08.07, that was completely destroyed in case of a fire in 2012, returned by an agreement between curator Dirk Raulf and Christof Sommer (Mayor of the City of Lippstadt) and the savings bank of Lippstadt which is the main sponsor of the Lichtpromenade. The original ‘neon cloud’ has been completely redeveloped and transformed into a new material.

The original Cumulus 08.07 with the measures of 300 x 160 x 160 cm was conceived in 2008 and first realized in 2009. The re-establishment was realized in 2016 with great support by local companies.

More information about the artist
More projects by Thorsten Goldberg
www.goldberg-berlin.de

20.000 Morgen, 2016

20.000 Morgen

20.000 Morgen, 2016

32 landscape-models by Thorsten Gold­berg for the new building of a guesthouse of the THW (Federal Agency for Technical Relief) federal school in Neuhausen auf den Fildern/Germany

This project deals with the question: Where would we end up, if we went in a straight line in one direction, didn’t stop and never turned off? What would you see looking out the window, if there weren’t any atmospheric effects, pollution or earth curvature?

For the new guesthouse, the artist drew the lines of sight from each window, until they meet with countries and places that relate to the THW (Federal Agency for Technical Relief). After topographical survey these landscapes will be transformed into digital terrain models and built as three-dimensional physical models at a scale of 1:50.000. The surfaces will finally be silver-plated. Each landscape model will be allocated to one guest room. It serves as a reference to the other, faraway place as a vehicle for an imaginary journey.
The clients are the Institute for Federal Real Estate, the Regional Finance Office Karlsruhe / State Building Department Reutlingen, in accordance with the THW (Federal Agency for Technical Relief) federal school in Neuhausen. The 32 landscape-models were conceived in 2015 and will be realized in 2016.

More information about the artist
More projects by Thorsten Goldberg
www.goldberg-berlin.de

24kt, 2017

24kt

24kt, 2017

A bird’s nest by Thorsten Gold­berg for Am Habichtshorst, primary school in Berlin Marzahn-Hellersdorf

For the start-up and new construction of a primary school Thorsten Goldberg is building a bird’s nest from approximately 1 kg 24 kt gold. The nest will be presented in an exterior wall build-in vacuum showcase. After at least 14 years the artist gives allowance to open the showcase, melt the gold and use the proceeds to help finance yet unknown common purposes. To destroy and dispose the nest, a collaborative process has to be initiated: the creation of a community and shared decision making is stipulated by contract.
24 kt is a symbolic object for the ideas and dreams of the students, it creates a vision and serves as an investment and a foundation for future needs of the new school.

The multi-layered concept work by Thorsten Goldberg is divided into 3 phases:
1. within the time agreed upon – the time ahead is a time of desire and projection
2. when the period has expired, the artwork is exposed and can actually be destroyed anytime – is a time of potentiality
3. the time after – is a time of transformation. The empty showcase with a plate, indicating what has been inside. Something new took the place of the Golden Nest – an object, a collaborative process and a community that was founded.

The Clients are the Senate Department for Urban Development and the Environment and Council of the Berlin Borough of Marzahn-Hellersdorf, in accordance with ReimarHerbst.Architekten BDA, Reimar Herbst and Angelika Kunkler. The project was conceived 2014 and will be realized in 2017.

More information about the artist
More projects by Thorsten Goldberg
www.goldberg-berlin.de